Tag Archives: Iceland

Some kind of musical peace: Ólafur Arnalds in concert

“Fuck!” was, somewhat surprisingly, the first thing Ólafur Arnalds said once he stepped on the stage of The Odeon of Herodes Atticus, the ancient Roman stone theater right beneath the Acropolis in Athens. “It’s the first time we play live after almost 2 years, and this place is beautiful”, he continued.

It was a hot summer night, and the Icelandic composer quickly made it clear this was not his preferred climate: “It is too warm here, thank God the sun went down!” Having taken his seat at the grand piano, he went on to perform some of the music from his latest work Some Kind of Peace together with a string quartet comprised of Petur Björnsson and Viktor Orri Arnason (violins), Unnur Jonsdottir (cello), and Karl James Pestka (viola).

Ólafur’s delicate harmonies and elegant melodic lines were in tune with the serenity of the surroundings, and the sporadic singing of the cicadas complemented the music perfectly. The blend of piano, strings, loops and beats created a special ambience that captivated the audience, which responded enthusiastically throughout the evening.

The Icelandic musician and producer has had an exciting journey so far, marked by collaborations with artists such as Nils Frahm and pianist Alice Sera Ott. His latest album is a personal statement, a way for him to express his creative development amid a rapid-changing and chaotic world.

A way, as its title implies, to create some kind of peace – both for him and the listeners who find solace in his delightful, meditative music.

From Iceland with love

While Kraftwerk were hitting up Paradiso for the opening night of of their epic 8-gig retrospective, a more humble event was taking place at Tolhuistuin, the vibrant new venue for arts and culture located in Amsterdam North, just opposite the city’s imposing railway station.

The line-up consisted of two lesser-known bands from Iceland, which has proved to be a consistently good source for creative new artists in constant search of diverse soundscapes.

Not just a pretty face

In 2011 Icelandic songwriter Sóley released We Sink, her first full length album, followed by Krómantík in 2014, which featured solely piano music. Having been noted for their “dark surrealism”, Sóley’s songs are characterized by strangely beautiful melodic lines and her subtle, delicate singing.

Her slight clumsiness/nervousness on stage only made her performance more attractive (at some point she asked the audience ”are you from Amsterdam?”), while her dream-like compositions (which included tunes from We Sink but also several new songs) quickly captivated the crowd and created the perfect setting for the act that was about to follow.

Low profile, high standards

Low Roar came to being after singer-songwriter Ryan Karazija moved from California to Reykjavík following the break-up of his old band Audrye Sessions. In Iceland, he recorded Low Roar’s self-titled debut album, which was followed by 0 (2014), a truly magnificent record that combines elegantly Karazija’s folk-style guitar playing and ethereal vocal lines with electronic loops and post-rock elements.

Low Roar’s silent dynamism and low profile combined with their focused, dedicated playing made for a great performance at Tolhuistuin; taking the music to various directions from reserved lyricism and atmospheric ballads to electronic and dance breaks, Low Roar offered the crowd a live show of the highest level.

 

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