Tag Archives: Brazil

Bach Brazil Barcelona

Johann Sebastian Bach and Brazilian music have always enjoyed an intimate relationship. This is evident from the towering figure of Heitor Villa-Lobos and his magnificent Bachianas Brasileiras to subsequent Brazilian musicians (such as guitarist Baden Powell) who also found inspiration in Bach’s music and combined it with their own distinctive style.

Originally scored for soprano and an orchestra of cellos, the Bachianas Brasileiras No. 5 suite is probably Villa-Lobos’s best-known work. A special rendition of the suite’s famous Aria (which has been also arranged for soprano and guitar by the composer) was recently made by singer Ilona Schneider and guitarist Diego Caicedo. Based in Barcelona, the duo delivers an emotionally charged and delicate performance, which is further enhanced by the atmosphere of the  accompanying video.

In fact, Barcelona claims a very special connection to Bach. This is largely due to legendary Catalan cellist Pablo Casals: In 1890, when he was still 13 years old, Casals chanced upon a copy of Bach’s six Cello Suites in a second-hand sheet music store in Barcelona. Several years later, after having studied them laboriously, Casals would perform Bach’s suites  in public and record them between 1936 and 1939.  They have since been performed and recorded extensively, and are now considered to be among Bach’s most important works.

A highly original take on Bach’s famous Prelude from Cello Suite No.1 can be heard from Armonipiano, a duo formed by harmonicist Rodrigo G Pahlen and pianist Gilles Estoppey. Also based in Barcelona, the two musicians perform a fresh and eclectic blend of jazz, tango, and Brazilian music. And a little bit of Bach, that is.

As shown by such brilliant and novel approaches, the mix of Bach, Brazil and Barcelona makes indeed for an exciting musical cocktail: A sort of baroque-flavored caipirinha, served in the music bars of the Catalan capital.

Caetano Veloso & Gilberto Gil in concert

A piece of history

Few artists have occupied such a prominent place in the history of modern Brazilian music as Caetano Veloso and Gilberto Gil. Guitarists, singers and composers, the two musicians (both born in 1942) were also key figures in the popular tropicália movement in the 1960s, and have been close friends  and collaborators ever since.

Apart from being widely acclaimed as composers and singers, both Veloso and Gil were also involved in various ways with the political developments in Brazil during the second half of the 20th century. They were both arrested and exiled from Brazil in 1969, as the Brazilian military regime viewed their music and political action as a threat. They eventually returned to Brazil in the early 1970s and, in an interesting turn of events, Gil would even serve as Minister of Culture from 2003 to 2008.

It is hard to overestimate Veloso’s and Gil’s contribution to Brazilian music and culture in general. They have had an immense influence upon subsequent musicians and songwriters at home, while they have also been active ambassadors of Brazilian music abroad, introducing it to large audiences worldwide through their recordings and live performances over the years.

Parallel paths, complementary voices

Earlier this week, Veloso and Gil came to Barcelona for a joint concert at the Palau de la Música Catalana. Opening with the cheerful Desde que o Samba é Samba, the two artists went on to present an eclectic mixture of songs covering several decades of Brazilian music, including many popular tunes such as Drão, Terra, Super Homem, A luz de Tieta, and Tres palabras.

Their simple, modest appearance and basic setup (two chairs and two guitars) were a striking contrast to the flamboyant and richly decorated interior of the Palau’s concert hall. But their beautiful melodies, excellent musicianship, delicate singing, and tuneful guitar playing were more than enough to compensate for the absence of fancy costumes or large backing bands.

Caetano_Gil

Caetano Veloso and Gilberto Gil at the Palau de la Música Catalana, Barcelona (2 May 2016)

Gil’s voice may have lost some of its older sparkle and tonal range, and Veloso may not be quite as active on stage as in the past (although he did try a little dance at some point). However, with both of them well into their seventies, these are just details of minor importance. Their brilliant performance proved that they are still perfectly capable of captivating their audience and creating that unique, magical atmosphere that Brazilian music seems to evoke when played by such exceptional performers.

My only thought (and wish) after leaving the concert was that hopefully Veloso and Gil will continue to share their gifts for many years to come. Having been on parallel paths for more than half a century, the chemistry between them is simply astounding, while their playing and unique voices continue to perfectly complement one another.