Tag Archives: electro

Electronic music artists in the Rock and Roll Hall of Fame?

Despite its name, the Rock and Roll Hall of Fame has inducted several musicians that are not exclusively tied to the genre. Rappers such as Run-D.M.C. and the rap-rock act Beastie Boys to name a few, with Compton group N.W.A. to be added next year.

As such, it appears the Rock and Roll Hall of Fame is finally embracing electronic music. Kraftwerk, widely considered pioneers in the field of electronic music, are nominated once again, while Depeche Mode with their synthpop electronic sound have been nominated for the fist time.

A lot of electronic artists have given their time and talent to the genre. Even though mostly riddled with male artists, the genre has also known pioneers such as Suzanne Ciani, who has acquired a somewhat legendary status within electronic music circles.

There are many more talented DJs from the past who have promoted electronic music, while even big names from other genres have clearly benefitted from it. There is an almost innumerable quantity of pop songs that have used electronic sounds, and it can also be said that pop icons like Madonna and Tina Turner owe a lot to the genre.

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Furthermore, electronic music has been around for decades. Its importance has also impacted other industries too, most notable movies. This year saw the release of various titles that display the use of electronic music, which shows how the genre is blended into visual mediums. Additionally, electronic music is also evident in video games and, as shown in this infographic about music and games, the sounds produced by electronic machines help keep players engaged and liven up the gaming experience. This means that not only is electronic music a purely auditory aspect, it also contributes towards heightening the stimulation of feelings and emotions.

Considering, thus, electronic music’s various redeeming qualities, it wouldn’t be out of place to see artists who have dedicated themselves to the genre be acknowledged by award-giving bodies like the Rock and Roll Hall of Fame. Following the inclusion of other genres in the past, it could well open it up to electronic music this time around.

Drawing the line of a new horizon

It all began two years ago, when Ewelina Chiu and Daniel Vlček first met as participants of DaDa Festival in June 2014. Following an impromptu performance with Dan on electronics and Ewelina on the mic, the two Prague-based artists decided to collaborate under the name ba:zel doing various acts such as exhibitions, “soundtrack” performances, and other conceptual projects .

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The Prague-based duo ba:zel (Ewelina Chiu & Daniel Vlček)

After a productive 4-month residency in the Dutch city of Arnhem (where they worked in isolation inside an old 1980s army complex) the electroacoustic duo focused on making music and laid down six tracks, keeping the name ba:zel. Their debut album eye draw(s) the line, released earlier this summer, is the result of a 2-year process and the first release for both of them.

Vocals, piano, and flute parts were recorded at Faust Studios in Prague, while the album’s electronic parts were recorded at home by Daniel himself. The whole album was mixed by Slovenian producer Gasper Šantl, and mastered by Andreas “Lupo” Lubich at Calyx Mastering in Berlin.

The sound of ba:zel bears a wide array of influences ranging from free techno and hardcore electronica (drawing from Dan’s background as a DJ in the Czech underground techno scene) to classical music, which finds expression in Ewelina’s melodic vocal lines and piano playing. As the vocalist herself puts it:

I’ve never sung before, so when I write melodies and lyrics I’m influenced by classical forms like the sonata, waltz, nocturne, etc. Afterwards I end up deconstructing the melody when Dan and I put the whole thing together. When I write lyrics I’m influenced by literature and poetry, specifically the poet E.E. Cummings and authors of the beat generation, and also Czech authors such as Kundera and Hrabal. The texts play with language, are coded, and invite the listener to decrypt.

The combination of Daniel’s imaginative use of electronic sounds and Ewelina’s delicate, fragile vocals (which, at times, bring to mind Icelandic songwriter Sóley) makes eye draw(s) the line an absorbing, atmospheric album that indeed appears to draw the line of a promising new horizon for the two Czech artists.

Dark, outspoken and outworldly

The new EP by Joalz Hello Darkness My Friend is exactly what its name suggests: An intriguing invitation to explore dark, otherworldly soundscapes.

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Sharing their time between Greece and Germany, Joalz decribe their music as “a weird kind of obscure indietronica.” Recorded in Berlin and Athens between March 2011 – June 2012, Hello Darkness My Friend is influenced by the sound of early Krautrock, psychedelia and progressive rock (think of Amon Düül, Can or Aphrodite’s Child).

Each song has a completely unique atmosphere; the opening track ‘Oh darling Margaret’ is haunted by the sound of the theremin, whereas in ‘Outspoken you are’ Mary Tsoni’s powerful reciting soars against a dazzling sonic background (the song’s B&W video was shot in Manhattan’s Chinatown).

I found particularly interesting the band’s rendition of ‘Alligator Wine’ (originally recorded by Screamin’ Jay Hawkins in 1958), where Tsoni’s theatrical performance and the fuzzy guitars blend into a peculiar kind of post-apocalyptic blues with dark overtones.

Next to a remarkable new wave of Greek artists, Joalz with their Hello Darkness My Friend offer yet another example of how creativity and experimentation can spring up amidst such grim times for Greek society.

More music/info:

http://www.joalz.net/