Tag Archives: Berlin

Soul, jazz, and punks: A selection from this year’s In-Edit festival

It all started in 2003 in Barcelona with the first version of In-Edit festival, when the once neglected genre of music documentary came to the fore. Ever since, a steady increase in interest from audiences worldwide has ensured a great selection of music docs are screened each year from Chile and Colombia to Germany, Spain and Greece.

As I find myself sitting through various screenings during the first chilly and cloudy November days in the Greek capital, here’s my picks from this year’s Athens edition.

Charles Bradley: Soul of America

A moving and heart-warming documentary about American soul singer Charles Bradley (1948 – 2017), who sadly passed away in Brooklyn earlier this year. Tracking the events that led up to the release of his debut album No Time for Dreaming, the film follows Bradley’s remarkable life story through his early childhood in Florida and Brooklyn, his years as James Brown impersonator in California, and finally his return to New York and his recording with Daptone Records.

Through a series of endless hardships and constant struggles, there emerges a portrait of a man who, against all odds, managed to realize his biggest dream, releasing his first and widely successful album at the age of 62! Not unlike the excellent Searching for Sugar Man, which also relates an inspirational story of an unlikely revival, the film is ultimately about the unwillingness to compromise and the triumph of will in the face of adversity.

Bill Evans: Time Remembered

A key figure in the history of jazz, American pianist and composer Bill Evans (1929 – 1980) was one of the most influential jazz musicians to emerge in the second half of the 20th century. This documentary portrays Evans both as musician and person, following chronologically his life through his childhood in New Jersey, his musical development and collaborations (most notably with legendary trumpeter Miles Davis), to his drug addiction and untimely death at the age of 51.

Highlighting Evan’s musical genius while also showing his darker, less attractive side, the film (which took producer Bruce Spiegel 8 years to make) provides valuable insights into the music and -often troubled- life of Bill Evans, while offering a comprehensive overview of his career by bringing together the testimonies of various ex-collaborators of Evans, such as Tony Bennett, Jack DeJohnette, and Paul Motian.

B-Movie: Lust & Sound in West Berlin 1979-1989

If there ever was an epicenter of alternative culture throughout the turbulent 1980s, it must have been the western half of the -still divided by then- city of Berlin. The film takes us through a fascinating tour of West Berlin’s alternative music scene through the eyes of musician and producer Mark Reeder, who traveled from Manchester to Berlin as a teenager in order to get a first-hand experience of the city’s vibe.

Featuring rare footage from the city’s underground hubs as well as clips, interviews and performances by key artists that lived and worked in Berlin around that time (such as Einstürzende Neubauten, Die Toten Hosen, Die Ärzte, Nena, and Nick Cave), the film gives us a good idea of what it was like to be living and creating in 1980s West Berlin, while also providing the soundtrack for one of Europe’s most vibrant cultural scenes during the Cold War era.

 

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Dark, outspoken and outworldly

The new EP by Joalz Hello Darkness My Friend is exactly what its name suggests: An intriguing invitation to explore dark, otherworldly soundscapes.

Cover

Sharing their time between Greece and Germany, Joalz decribe their music as “a weird kind of obscure indietronica.” Recorded in Berlin and Athens between March 2011 – June 2012, Hello Darkness My Friend is influenced by the sound of early Krautrock, psychedelia and progressive rock (think of Amon Düül, Can or Aphrodite’s Child).

Each song has a completely unique atmosphere; the opening track ‘Oh darling Margaret’ is haunted by the sound of the theremin, whereas in ‘Outspoken you are’ Mary Tsoni’s powerful reciting soars against a dazzling sonic background (the song’s B&W video was shot in Manhattan’s Chinatown).

I found particularly interesting the band’s rendition of ‘Alligator Wine’ (originally recorded by Screamin’ Jay Hawkins in 1958), where Tsoni’s theatrical performance and the fuzzy guitars blend into a peculiar kind of post-apocalyptic blues with dark overtones.

Next to a remarkable new wave of Greek artists, Joalz with their Hello Darkness My Friend offer yet another example of how creativity and experimentation can spring up amidst such grim times for Greek society.

More music/info:

http://www.joalz.net/