While Kraftwerk were hitting up Paradiso for the opening night of of their epic 8-gig retrospective, a more humble event was taking place at Tolhuistuin, the vibrant new venue for arts and culture located in Amsterdam North, just opposite the city’s imposing railway station.
The line-up consisted of two lesser-known bands from Iceland, which has proved to be a consistently good source for creative new artists in constant search of diverse soundscapes.
Not just a pretty face
In 2011 Icelandic songwriter Sóley released We Sink, her first full length album, followed by Krómantík in 2014, which featured solely piano music. Having been noted for their “dark surrealism”, Sóley’s songs are characterized by strangely beautiful melodic lines and her subtle, delicate singing.
Her slight clumsiness/nervousness on stage only made her performance more attractive (at some point she asked the audience ”are you from Amsterdam?”), while her dream-like compositions (which included tunes from We Sink but also several new songs) quickly captivated the crowd and created the perfect setting for the act that was about to follow.
Low profile, high standards
Low Roar came to being after singer-songwriter Ryan Karazija moved from California to Reykjavík following the break-up of his old band Audrye Sessions. In Iceland, he recorded Low Roar’s self-titled debut album, which was followed by 0 (2014), a truly magnificent record that combines elegantly Karazija’s folk-style guitar playing and ethereal vocal lines with electronic loops and post-rock elements.
Low Roar’s silent dynamism and low profile combined with their focused, dedicated playing made for a great performance at Tolhuistuin; taking the music to various directions from reserved lyricism and atmospheric ballads to electronic and dance breaks, Low Roar offered the crowd a live show of the highest level.
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