Great music is often born when different cultures meet and intermingle. Such is the case with Istanbul, this unique crossroads of diverse civilizations and musical traditions.
My first encounter with the music of Istanbul was made through Fatih Akin’s excellent film Crossing the Bridge (2005), a documentary about Istanbul’s contemporary music scene. Akin follows German musician Alexander Hacke as he wanders around Istanbul with a mobile recording studio, trying to capture the musical identity of the city in all its manifestations. In the process, they meet and record several bands and musicians from a variety of genres, ranging from traditional Turkish music to rap, indie and experimental rock.
One of the film’s highlights is a performance by the psychedelic band Baba Zula together with Hacke and Canadian folk musician Brenna MacCrimmon, all aboard a small boat on the Bosporus, their music gracefully accompanied by the glorious sunset…
I would get to see Baba Zula perform live in Istanbul’s famous music venue Babylon in 2011, when I had the opportunity to spend a good few weeks in the Genoese neighborhood around Galata Tower.
Baba Zula performing in Istanbul (25/11/2011)
It didn’t take long before I fell in love with Istanbul’s vibe and unique character. It felt as the whole city pulsated with music. A music of a very peculiar kind, comprised of all the sounds emanating from the Sea of Marmara and the countless little alleys, intertwined with the city’s buzz and the tunes played by street musicians, eventually meeting the muezzin’s call to prayer, thus forming a unified whole the reverberations of which seemed to be felt everywhere.
It is almost impossible to fully grasp and absorb such a dynamic and vibrant music scene. It is perhaps best to let go, and simply immerse one’s self in the richness and beauty of Istanbul’s sounds; not unlikely one follows the muezzin’s mesmerizing voice in order to reach -even momentarily- heavenly, outworldly realms.
The Muser 